My Favorite Art for Every Budget this Holiday Gift-Giving Season

This season, with all the wild things currently happening globally, I’m doubling down now more than ever on supporting small businesses and, as an artist myself, specifically - supporting local and national artists whose work aligns and resonates with my own personal ethos.

I’ll be sharing more on my Substack starting next year about the journey I’ve been on over the past few years and why I’ve been really quiet here on the blog as well as most of the digital spaces you’d like grown used to seeing me show up in. Today — I am excited to share the work and mission of some artists and businesses that will deliver joy through not only their unique beauty, but also the purpose behind them.

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Rhythm & Hues

When I Close My Eyes | Mohamed Abdulrahman for Rhythm & Hues | Fine Art Gicleé print

Rhythm enters the art and design scene and breaks the status quo by offering limited collections of fine, gicleé art prints from artists across the globe. The beauty of Rhythm, unlike most art brands, is that you get to experience the art through the eyes of the artist and know that with each and every purchase that artist is receiving 50% or every sale.

They’re currently running a sale for an extra 15% off prints. I’m pretty obsessed with this brand and plan to add a few pieces to my own collection before the current collection is sold out.

If you follow me on Pinterest, you know I love some good visual inspiration.

You can follow Rhythm on Pinterest here as well as Instagram here.

SHOP Rhythm’s limited collection here.

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Jesse Owens-Young

Put Them Grays on the Cover | 2025, Jesse Owens-Young | Acrylic, wax pastel and oil

Jess Owens-Young is a self-taught multidisciplinary artist whose work explores the rich and varied experiences of Black individuals in America. After taking an art class at her local community center, Owens-Young discovered a new passion and has since cultivated her craft. She creates art that emphasizes the resilience and joy of Black people, as well as the essence of Black childhood.

Working primarily with acrylics, oil pastels, oil pigment sticks, and acrylic inks on canvas, Jess produces vibrant pieces that include portraiture, figurative painting, and collage. Her art is distinguished by recurring symbols that add depth and personal meaning. For instance, the happy face hat represents the projection and maintenance of happiness, while the glasses seen on her notable figures reflect her perspective on the perception of Black narratives and bodies. The colorful flowers in her works highlight the restorative connection Black people have with agriculture through flowers and gardens.

Owens-Young draws inspiration from a diverse array of artists, including William H. Johnson, Elizabeth Catlett, Emory Douglas, Delta Martin, Henry Taylor, Deborah Roberts, and Alice Neel. Her artistic vision is also shaped by literary influences such as Octavia Butler and Toni Morrison.

You can find Jesse on Instagram here and shop her prints here. Original artwork can be found here.

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Rodney H. King

Rodney H. King | Acrylic & Permanent Marker

Rodney H. King is the founder of Kingspen LLC and a rising voice in the Pacific Northwest art scene. His work has been featured on KOMO, PBS, Converge Media, KING 5 Evening, and more. A devoted husband, father of three, and man of deep faith, King uses art as a tool for healing, storytelling, and cultural affirmation.

Rodney is a Seattle artist whose work has been featured in publications across the region. I’ve had the pleasure and honor of working in proximity with Rodney over the years and not only is he just the most kind human, he is someone who is dedicated to ensuring our stories live - as shown in the vibrant, detailed works above. I don’t yet own one of his pieces but it’s only a matter of time before I add his work to my collection.

You can find Rodney on Instagram here and shop current art here.

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Yvonne McCoy

Yvonne McCoy | Collage Art | 2025

Confession - like most (?) of us, I have quite a few hyper-fixations. Right now, one of those is collage art. I’ve been taking some time to create my own privately (and, also shared a few publicly) but I love seeing how other artists express themselves through this form.

Yvonne McCoy is a multidisciplinary art director and designer guided by collage as both method and mindset. Her work moves between visual identity, editorial, and spatial design, blending art direction, narrative, and material into a single emotional language.

Rooted in the belief that design can be a form of storytelling, McCoy uses collage to build visual worlds that honor memory, intuition, and feeling. Each project becomes a composition of work, play, and cultural survival.....a return to feeling through the art of direction.

The bottom line is, Yvonne is amongst a sacred list of collage artists whose work I have become enamored by. (Hello, Jesse) I don’t think it will take you long to become engrossed either.

You can follow Yvonne on Instagram here and find ways to purchase and support her work there as well.

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Safiuchi

Safiuci | Dreamscape | Raw Canvas, Acrylic, Charcoal

Safiuchi is a multi-talented individual renowned for her abstract expressionist paintings. Her distinctive style features layered thick brushstrokes and bold colors, often incorporating black and white, with subtle shapes, figures and faces sometimes discernible. A consistent element in her work is a lowercase “i,” symbolizing the self in one’s journey, encapsulated in her empowering slogan, “i live.” Safiuchi’s art is deeply connected to her personal experiences. Serving as a powerful medium for healing and raising awareness about important social issues within humanity and multicultural communities.

I recently met Safiuci here in Seattle at a local art event in support of Black Farmers Collective and was instantly drawn to her use of color, media and story through line and emotion. I am excited to see her continue to grow and support her work along the way.

You can find more of Safiuci’s work here as well as ways to purchase. You can also find Safiuci hosting the Beyond the Canvas podcast here.

There are so many artists I’m eager to highlight, and I hope to share more in the coming months. I truly believe #artistswillsavetheworld, and this feature is only the beginning of where that mantra is headed.

Until then, sound off in the comments with artists who are helping you see the world through a new, fresh lens and let us know where and how we can support them.

YOU CAN STILL FOLLOW ME ON SOCIAL HERE

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INSPIRATION | HOW I USED ANTIQUE AND VINTAGE CLAY POTTERY TO STYLE A SPRING TABLE

It’s no secret that I am big fan (read: huge) of antique and vintage pots and vessels.

With the opening of the shop a couple of weeks ago, I’m all stocked up on all sorts of fun pots and decided to elevate this spring table inspiration some of those found items and I love the way it all turned out.

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This pot makes such a statement in the middle of our dining table and even though it’s brown like the rest, the texture and size help separate it from the rest. It’s definitely one of my faves from this week but who am I really kidding? I can’t resist any of this stuff.

I mean, can you even stand this beauty? Perfectly glazed and aged.

I layered some of my staple white dinner plates and acacia wood chargers with these Moroccan glasses and these slubby new stonewashed linen napkins. They are the perfect cream color and create such a warm and calming vibe for this tabletop inspiration.

I thought adding these Moroccan tea glasses would be the perfect complement to the styling of this tabletop and to the flowers in the pots.

This salt glazed jug adds just the right bit of contrast to this spring inspired table.

Because we know no table or dinner is complete without a good story, I thought it’d be cool to share some of the things I learned with you about some of these pieces as I collected them.

I so adore the rich history that these vessels carry and hope that as you explore your own story and design styles, you’ll find that you connect with these pieces in new ways.

VINTAGE JUGS, CROCKS + POTS AND THEIR PAST LIVES

SALT GLAZED STONEWARE

While salt-glazed stoneware probably originated in the Rhineland area of Germany circa 1400's, it became the dominant houseware of the United States of America circa 1780-1890. Americans began producing salt-glazed stoneware circa 1720 in Philadelphia, Pennsylvania, and Yorktown, Virginia. Many of them were used in prohibition for whiskey and other types of liquor at that time.

While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface of salt-glazed ware.

CROCKS (U.S.)

The vernacular term "crocks" is often used to describe this type of pottery, though the term "crock" is not seen in period documents describing the ware. Additionally, while other types of stoneware were produced in America concurrently with it—for instance, ironstone, yellowware, and various types of china—in common usage the term "American Stoneware" refers to this specific type of pottery. (Wikipedia, 2021)

xo,

Kennesha

MORE FROM THE SHOP

STORY: MY EXPERIENCE AS AN AFRICAN- AMERICAN FEMALE WRITER + BLOGGER (and how to shift what we see online)

So, friends, here we are.

It’s kinda weird to think this is true, but I don’t believe I’ve talked about this at all on my blog. (whoa)

Not once in 13 years of blogging.

That’s a weird feeling. You know, seeing as how I’ve been Black and female for 40 years now. :)

I think there’s a lot to be said for that. Yes, of course, for being 40.

But…Black, female AND 40 AND holding space in an industry dominated by people who beyond don’t look like you? Now THAT is a conversation to be had.

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

For this part of my story, I’d like to share something that I experienced recently:

After a few months of touring for Restoration House Book this summer through the fall, I was invited by Myquillyn (@thenester) to join her and other talented authors at her place in NC for Nest Fest this October. We had a ball. Her barn and property was filled to the brim with folks who have invested in her original mantra “It Doesn’t Have to be Perfect to be Beautiful”. I was in awe of not only their dedication and love for her, but her ability to shower each of us as the host with such grace and hospitality was truly a sight to behold.

As I was prepping for my time to sign books in the barn, I could feel the anxiety and tension rising. I said a quick semi-silent prayer with my friend who was supporting me over the weekend (shoutout to Alexandra for being amazing) and took a deep breath as the doors opened and the crowd flowed in.

“Would anyone come to my table or will I have enough people who know me or even care about the message of this book to fill this time of signing?”, I thought to myself.

As I begin to shift my focus from me to the women who’d traveled from far and near to talk to me, have their books signed and laugh (and even receive a word of encouragement) with me I found myself caught up in conversation with one woman whom I’d complimented because of something cool she was wearing.

As we small-talked and chatted a bit (something I’m actually not that great at—hello, enneagram 8), I noticed the woman beside her flipping through my book. What I noticed even more is that as she flipped, she took momentary breaks to just, well…look at me. These weren’t just flippant looks. Her gaze felt as though it would burn a hole right into the center of my soul.

I did my best to remain engaged in the conversation but I became so heavily distracted by the increasingly frequent glances.

As our exchange came to a close, I directed my attention to her friend.

I awkwardly introduced myself by first and last name and asked for hers.

After our hurried introductions, she leaned in with both hands supporting her weight on the table between the two of us and said, “You know, I just need to tell you how encouraging and impactful it is for me (a white woman) to see a woman of color taking up space in the way that you do in what is and has really been a ‘white woman’s sport’. “ (Where are those bulging eye emoji’s when you need ‘em?)

Friends, I’d love to say that I took that as a compliment, thanked her, signed her book and moved on but I didn’t. In fact, I did quite the opposite.

As much as my brain told me to hold back my heart just would not allow it. I burst out into the ugliest ugly cry you’ve ever seen.

As tears began to stream down my cheeks (and Alexandra’s as well), I began to express my gratitude for her acknowledgment and communicated to her how deeply impactful her words were for me.

I can’t say that I’d never processed this emotion before. Sure, I had. I’d likely even pumped and psyched myself up on that very day before even arriving because TBH, as a WOC in predominantly white spaces, that’s what we do. Always. Before Trump or #blacklivesmatter or any other hashtag, it’s what we have done.

It’s a strange thing to confess that, in that moment, I felt more than seen. I felt understood. I felt, for the first time, that someone in this world of home and design chose to acknowledge the reality of the world that many within the industry lived in silently for decades.

LET’S PAUSE FOR A BIT OF A DISCLOSURE AND SOME CONTEXT, SHALL WE?

Another “TBH moment”? I’ve spent my entire life minus a few years when we lived in Tampa, FL during our time in the military, as the only ‘one’. From kindergarten to high school, in and out of friends circles, you’d find me entrenched and steeped in all things deemed culturally “white” and, if I’m honest, I was a bit proud of it. I considered myself “gifted” as it pertained to my ability to vacillate between my majority black friend groups to showing off my ability to know and sing all the lyrics to just about any Pearl Jam, Red Hot Chili Peppers or Nirvana song. That was a bonus. This was a crown I wore with pride until I realized there was a name for it (code switching) and that it could lead to horrible emotional and mental effects after years of practicing these acts of mostly unknown self-betrayals. It wasn’t that I didn’t like these things but the heart behind why I chose to prove my loyalty or worth in many ways is wrong for so many reasons. End disclosure.

Over the past couple of years I’ve felt more and more of a push to lean into this conversation here and throughout other social media platforms-particularly Instagram. I have witnessed an overwhelming response from women (mostly white) who seem to be taking a simultaneously collective sigh that says, “We’ve wanted to talk about these hard things but we haven’t known where or how.”

When speaking of diversity in design for Business of Fashion, Steven Kolb recently said this:

“I think we can just assume from the start that there's challenges for people of colour in the industry,” said Steven Kolb, president and chief executive of the Council of Fashion Designers of America (CFDA). “We need to make that a starting point and really focus on how we can improve as an industry.”

While Kolb is speaking of Black designers in fashion, I bring this point to the conversation because I believe that there is something very much infallible and indisputable about what he is saying in that quote. In order to grow in this area we must first recognize that it is an issue in the first place. We must see the significance and importance in living differently, then choose to be intentional about and focus on shifting ideas and mindsets that have empowered systems and structures to have hold for far too long.

Practically, this may begin with you walking into historically, predominantly white spaces and asking some questions. Questions like, “What can I do to change it?” or “How can I use my privilege in this space to bring attention to the lack of and need for a more diverse scope of perspectives, visuals and thoughts in this space?” are a great place to begin. Taking this beyond the area of design and blogging and into the life of the average person, you may also find it helpful to ask how you can personally become an integral part of building this conversation or how you may have backed away from opportunities to speak up about it when given space to do so in the past. How can you begin to make changes? This is what moving past “I’m not racist” and into what being “anti-racist” looks like.

It is not lost on me that even the mention of the words race or racist or racism may cause anxiety in even the most steady. Ultimately, while I understand that this may be a difficult topic to broach for many, I also believe that for far too long we’ve allowed culture and tradition to define and shape how we approach this topic; ultimately turning it into something taboo. My desire is that, through shared experienced and collective stories, it will become an intriguing and more sought after conversation than before. I believe that we have the power to swing the pendulum in an entirely different, positive direction.

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

With that being said, here are a few things you can do to cause a shift and begin to see some changes in your own life:

• DIVERSIFY YOUR FEED. I know. This one sounds a bit trite but the truth is that as long as things all look the same in your digital world and life, they will stay the same. If your feed and life is full of people that look like you, doing things just like you then it’s time to change that. Variety is truly the spice of life. I recently spoke with a friend about this. There are very few areas in our lives that we choose to have things remain stagnant or the same. There are even fewer areas where where we’d make a conscious decision to stick to things that don’t inspire, enlighten or invigorate us. This area should be no different. Diversity is more than just filling spaces with people who don’t look like you it’s giving them the power to own their story and tell it in their unique way. Choosing to integrate other cultures and perspectives allows you the opportunity to see and hear a different message than what is being offered many times via mainstream outlets AND you have control over the curation of that message. Now, who doesn’t want that? To get started, I wrote a little something about 100 of my favorite WOC to follow here.

• READ + LOOK AT GOOD THINGS. There’s a host of amazing resources out there from books and organizations to podcasts and other online resources. I think beyond those, asking yourself a few questions about some lies you may have believed and how you may be able to reshape those, is helpful. This is not work meant to do alone. In the second part of these conversations after the holidays, I’ll provide a list of books and other resources that I have found helpful along this journey but to begin, two of my current faves are The Color of Law and How to be Anti-Racist by Ibram X. Kendi. I suggest reading both.

• ASK THE HARD QUESTIONS. Fight the urge to keep quiet when an opportunity arises to gain clarity on a topic re: to race. If you don’t have friends you feel safe asking, sometimes it is okay to seek out and connect with people that you may not know very well. (If you are part of an online community, this approach may work well) Remember to be respectful and that it is your responsibility to understand and gain knowledge about the things you do not understand. Let Google become your bestie. If you are having a conversation with someone you may not know well, you should always approach with verbal recognition of the sensitivity of the matter. Be forewarned, not everyone will be receptive of this course of action. Authenticity and sincerity will take you FAR. I’ve had hundreds of people reach out via direct messaging on Instagram with all sorts of thoughts, questions and stories on this topic and VERY FEW of them have been offensive to me. I can smell a pot stirrer a mile away and nothing will shut a conversation down faster than someone who’s NOT looking for restoration, resolution or reconciliation but to rather prove their point or protect their pride or image. When we choose to ask those questions, many things happen. Among those, freedom, understanding and growth. For both sides. This is and always should be the goal.

I don’t know where this year will take me but I know that my work here is not done. I am excited to continue using these platforms to have real, honest and direct conversations about some really hard things. I am committed to the undoing and reshaping and I am inviting you to join me.

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

I can’t wait to hear your thoughts on this friends. Leave them in the comments below!

XO,

Kennesha